NOMADS has been one of those strong bands in my library that I never got around to fully appreciating. I’d listen to it every now and then, but I never really sat down with it and soaked it all in. The big change in sound from their self-titled debut and their following singles to this EP stopped me in my tracks.
Apparently there’d been a theft, someone got away with thousands of dollars worth of equipment. To my knowledge, NOMADS didn’t spam their Facebook with kickstarters or indiegogo campaigns, a fact that speaks volumes about their character. I think too many bands rely on their fans too much for help recoup their losses. Your fans are just that – Fans. They are not investors, they not anything so official. They are people who like your music, and can stop liking their music whenever they damn well please.
But these guys don’t whine. They just continue making beautiful music. In the description of this EP it says this music is not only a giant middle finger to the thieves, it’s a monument to ‘The show must go on’. In my eyes, that makes this band so much better than any other band I’ve liked on Facebook.
Due to the new-found limitations with their equipment, the music’s changed drastically, because they’re just working with what they’ve got. But don’t let that deter you from listening to this, it still shines brightly in this year’s list of releases. ‘In Fields of Light’ consists of a keyboard, a guitar, and a guest on the trumpet. No drums, no bass, it’s a very airy sort of ambience, and it’s gorgeous. Even apple fans with their cheap earbuds can fully enjoy this track, so everybody wins.
‘Sunset on the Range’ is an acoustic rendition of a song by the same name, to be released with their upcoming album ‘When Those Around Us Leave’ and I must say that I’m very excited for this album, if the music is going to be this captivating. But then again, I’m biased. I’m a sucker for acoustic guitars in post-rock, so take that with a grain of salt, but the melody stuck with me for the rest of the day after I first heard this.
I would highly recommend supporting this band, even if only for the sake of charity. I will be supporting it when I can, in hopes of seeing the new album released a little sooner.
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SAISA has been another band I’ve been meaning to get around to, and this Foofer Twofer’s given me an opportunity I can’t pass up. It’s even along the ambient strain of NOMADS, with its distant vocals and piano-driven ambience, it’s too perfect a pairing to ignore.
‘Aftermath’ is practically a dirge, with its mournful vocals, and drawn out melodies. The strings and piano bring images of funerals to mind (which is probably the point). As I pointed out with NOMADS, the lack of bass makes it a very airy, ambient sound, which is perfect for the forlorn timbre. When the crescendo begins, the bass is introduced in such a way as to not decrease from its ambience. It’s a very impressive feat, if you pay attention.
‘Agitator’ continues in the same tonality, with the addition of a distorted guitar, following the piano like a ghost. Overall, this piece sounds like Aftermath pt. II, but it’s so pretty I don’t even care. The attention to detail given to the crescendo is astounding, it’s not too fast, it’s not too slow, and it doesn’t get too loud, nor is it anticlimactic. Practically perfect in every way.
‘Heart Tree’ should be called ‘Aftermath (Reprise)’, it sound remarkably similar, with its vocals. Their English is impressively clear, which is something I’ve never really heard in a Japanese band before, outside of the occasional word or phrase. The way it reflects ‘Aftermath’ gives the EP a strong sense of closure, like the loop has finished, and the concept behind this album has been fully fleshed out before you. In my own weird opinion, this makes it perfect for listening to over and over, because it loops in on itself, becoming flush with its beginning. It’s pretty easy to get lost in it, too, since it’s only 18 minutes long. The tape perfectly represents that thought, with the whole album on both sides.
This can be purchased on digital directly from the band’s bandcamp page, and the tape can be bought through Keep It Together Records. (I did, and I’m in love with it. I would also recommend LITE, Low-Pass, and A Garden Overgrown).
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